Archive for the ‘stormy’ Tag

Adventuring Death Valley: Storm Light   7 comments

Things get interesting when a storm moves into Death Valley National Park, California.

The fun continues in a place that, at first glance, does not appear to offer much.  Let’s face it.  Death Valley, although it’s very dramatic when you first drive in, is a dry and desolate place at first glance.  Because of this, a lot of people drive through without spending the night, just to check it off their bucket lists.  They may stop to check out the sand dunes or go to Badwater, the lowest spot in North America.  But little else.  What a waste!

My last two stories were about adventures from early trips, before it became a national park, and when I was just falling in love with the place.  Looking back at those times I seem to have been more than a little reckless at times.  But that’s the way it is when you’re young and capable of getting into trouble without paying too high a price.  Alas, those days are gone.  We all need to slow down a bit when we get older.  Knowing our limits let’s us return in one piece from an adventure, to tell the tale.  Occasionally I hear about an older person who gets themselves into trouble in the outdoors by biting off more than he can chew.  Nowadays I try to avoid being so foolish.

That said, in my opinion the opposite situation is far more prevalent.  Too many people are far too careful.  We hear about it when things go south for would-be adventurers.  But when have you ever read in the news about someone who missed out on a fun adventure because they were over-cautious?  In general the older the wiser.  But one way we aren’t so wise is that, as we grow into later middle age, we underestimate our abilities in order to avoid risks altogether.  We confuse staying comfortable with staying alive, and that results in ‘roads not taken.’

 

Old mine ruins in Titus Canyon, Death Valley National Park.

Alluvial Fans, an Inselberg, and Storm Light

This little adventure took place just last year.  Although no where near death-defying, it was just the kind of adventure most of us can do without risking it all.  It happened in an area of Death Valley that does not receive much (if any) attention.  The kind of place where one can hike all day without seeing anyone.  It lies along the Grapevine Mountains range-front, off the Scotty’s Castle Road.  Not far north of this road’s junction with Hwy. 190 is the turnoff for Titus Canyon, a scenic and popular Death Valley destination.

The gravel road to Titus’ mouth ascends an alluvial fan to a small parking area, where you must stop and continue on foot.  Although the road continues into the canyon, it is one-way only, from the other direction.  Titus is often closed to vehicles, and then it makes a fine hike from this parking area.  When it’s open I recommend driving in from the other direction.  But Titus isn’t the only canyon-hike from here.  Two others, Fall and Red Wall Canyions, are worthwhile treks as well.

From a previous hike up Red Wall Canyon, Death Valley N.P.

I started early in the morning, meaning to hike as far up Red Wall Canyon as I could reach in a day.  I hoped to refill with water at a spring in Red Wall, but I didn’t need to carry the usual heavy load of water anyway.  Since it was very early in the year, the weather was cool enough.  Also skies were mostly cloudy.  I headed north along the trail, passing the mouth of the shorter & more popular Fall Canyon along the way.  It was my second trip up Red Wall, and I looked forward to getting good images of the colorful cliff walls in late-day light on the way out.

After several hours hiking up-canyon, where I found some early-blooming flowers (it’d been an unusually wet winter), I decided to turn around earlier than expected.  There were a couple springs along the way, one of them with lush growth around it where I stopped and watched a hummingbird for awhile.  I exited the canyon, and since I had a few hours until dark I decided to do some exploring.  I trekked north along the range-front, looking for more interesting stuff.  Alluvial fans may look flat, but if you hike one without a trail be prepared for rugged, exhausting walking.

Blooming globe mallow in Red Wall Canyon, Death Valley, CA.

A sight you don’t expect in Death Valley: a hummingbird!

This sort of random wandering is one of my favorite things to do.  It probably accounts for the frequency with which I seem to end up in different places than originally planned.  I found another canyon further north, but could not access it the standard way.  That is, by heading up the wash and straight in.  The wash was deeply incised into the alluvial fan, leaving a sheer rock face at the mouth of the canyon.  Also, the wash itself had equally sheer cliffs of coarse gravel bordering it.

I climbed up above the mouth trying to access it that way, and nearly succeeded.  But a crux couple of moves on a scary traverse, something that would’ve presented little problem as a younger man, reminded me that the expression “discretion is the better part of valor” is particularly apt when you’re hiking alone and getting up there in years.

Retreating to the alluvial fan, I kept heading north and west, away from the range-front.  I made for an inselberg, which is a geologic term of German origin that refers to an island of bedrock in a sea of loose (normally gravelly) sediment.  Look around Death Valley and you’ll see them poking darkly out of the alluvial fans.  I found a cool little slot canyon that wound its way into the inselberg.  Smoothed limestone, little pour-offs that were “jumpable”, and plenty of chimney-like alcoves made it a fun maze to explore.

One of Death Valley’s ubiquitous washes.

The weather, which had been slowly deteriorating all afternoon, started to get interesting.  The wind blew harder and dark clouds built over the Panamint Range to the west.  I had the conversation with myself that I’ve had so many times before.  How long to get back to my van?  How much do I want a sunset shot in this area?  Will the light cooperate, thus making a hike back in the dark worthwhile?

Alluvial fans are one of Death Valley’s most iconic features, but one a casual visitor might not appreciate until it’s pointed out.  Just the kind of thing I like to photograph well.  So I decided to stay and try for the kind of shot that had been in the back of my mind for quite awhile; that is, looking down from the top (head) of the fan.  Imagine a bird’s-eye view looking straight down on an alluvial fan and the second part of that name becomes obvious.  The head, or top, of the fan is the sharp point, where it emerges from its source canyon.  From there the fan shape is not as clear.

I climbed up out of the slot canyon and onto the fan.  The wind was blowing a lot harder up there,.  Out on the valley floor it was picking up sand and dust from the dunes at Mesquite Flat and blowing it north, making things even more dramatic.  Wandering around I found a few blooming prickly pear cactus: wonderful little splashes of contrasting color (1st image below).  I wound up perched high above the head of the fan, looking straight down its wash and across to the Panamints.  The sun broke dramatically through the clouds and I shot some images (2nd image below).  Great storm light!

Storm light and blooming prickly pear high on a Death Valley alluvial fan.

The viewpoint I’d been seeking, from the head of one of Death Valley’s iconic alluvial fans.

By the time I finished it was near sunset and the storm was bearing down.  The walk back in gathering darkness was one of those you just want to be over.  Pushing straight upwind, stinging rain in the face, I was getting wet and cold.  That’s not a sensation one often experiences in Death Valley.  My camera backpack had a rain-cover so the gear was fine, but I didn’t have a rain parka.  Although nobody would think it possible in the continent’s hottest place, one could go hypothermic in those conditions.  I pushed the pace to generate heat.

It turned out to be a memorable outing, not just because I got some unusual and nice images of an area very few people visit let alone photograph, but because of the effort and discomfort involved.  As I already mentioned, avoiding discomfort is not always a wise choice.  My life was never really in danger after all.  And hiking back too early, while it seemed smart because of the storm, in the end would have only resulted in lesser images, and a lesser adventure to boot.

Darkness follows the storm, with Tucki Peak rising in the distance:  Death Valley!

 

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Friday Foto Talk: Shooting around Weather   4 comments

Dust and sand from the dunes at Mesquite Flat blows up-valley ahead of a storm.  Surprising for this hyper-arid place, I got soaked hiking back.

I took a break last week from Foto Talk.  Hope you all didn’t give up on me!  This week I passed by an area that was readying itself for a hurricane.  And there’s been plenty of rain besides.  So I’m taking the hint and posting on the subject of photography and weather, in particular photographing in the wet stuff.

Shooting in stormy conditions presents both challenges and opportunities.  You’ve probably heard the advice to keep shooting right through stormy weather.  While I won’t disagree with this in general, I prefer a less absolute, more realistic attitude.  It’s a matter of weighing the upsides against the downsides.

On the plus side, depending on the clouds and sky, you may get some of your most atmospheric or dramatic shots during bad weather.  On the downside your gear is at risk.  In wet weather you are taking the obvious risk of getting moisture inside camera or lens.  Since that’s where your sensitive electronics reside, this is of course not good.

A storm blows itself out over the Columbia River, Oregon.

SHOOTING IN THE STORM

I’ve lived in both Oregon and Alaska, two places where dramatically bad weather is very common.  Here is what I’ve learned over the years about photography in bad weather:

  • I just mentioned the risks of water inside the camera.  But that’s not nearly as bad as putting yourself at risk.  It doesn’t happen often but dangerous weather does occur.  Use common sense and know when to beat a hasty retreat, to high ground and/or shelter.
  • Find camera protection that works for you.  I’ve posted before with tips and recommendations in this regard, and this post isn’t about that.  Just realize that no matter how good your rain cover, lens changes and other occasions expose your camera to the weather.  So no matter what you do some moisture will likely fall on your camera.  If you have a well-sealed professional grade camera and lenses, you can get away with wetter conditions.  The key is to know how well sealed your gear is and act accordingly.
I shot this lighthouse on the Gulf Coast of Florida recently just after a heavy shower had passed.

I shot this lighthouse on the Gulf Coast of Florida recently just after a heavy shower had passed.

  • At least as important as having camera/lens protection is having good clothing that keeps you reasonably dry and comfortable.  But since no clothing is perfect, be ready to put up with a certain degree of discomfort.  I always remember what my grandmom used to say whenever I complained about getting wet.  “You’re awfully sweet but you’re not made of sugar.  You won’t melt!”
  • Unless I see something quite compelling, either while driving or hiking with camera in a pack with rain-cover on, I usually don’t bother getting my gear out when the rain (or wet snow) is coming down hard.  Shots I may try when it’s dry I won’t chance when it’s very wet; that is, unless it’s really calling out to me.  It’s a simple calculation of risk vs. reward.
  • When it’s raining or snowing, contrast tends to be subdued.  So I tend to be attracted to compositions where low-contrast helps instead of hurting.  Low contrast in the wrong shot can rob it of impact, but in the right situation it helps establish the mood of your image.
Hiking up into the Oregon forest during a rainstorm near dusk was the only way to get this shot.

Hiking up into the Oregon forest during a rainstorm near dusk was the only way to get this shot.

  • I shoot from within my vehicle a lot more when the weather is bad.  And I don’t think it makes me a wimp!  It does require sometimes pulling off in odd places.  If you do this, take it from me:  turn your attention away from the light and pay attention to your driving until you’re stopped, and even then continue to keep one eye out for traffic.  Unless the road is truly empty, I won’t block the travel lane.  I always make sure there is good sight distance behind and in front.  Having good sight distance is key, as is using emergency flashers and being quick about it.
The rain was coming down hard for this shot from inside my van: Columbia River Gorge, Oregon.

The rain was coming down hard for this shot from inside my van: Columbia River Gorge, Oregon.

  • Being near big waterfalls can be just like being in a rainstorm.  So all the precautions you take in rainy weather you should also take when shooting a big waterfall in high flow.
  • Normally I don’t use UV filters, but when it’s wet I like to put them on. Lenses seal much better with a filter than without.  Any filter will help seal a lens.  If I’m shooting in a forest and especially along a stream, I use a circular polarizer instead of a UV filter.  CPLs cut down on reflections from wet leaves and rocks, bringing out their colors.
  • If you like shooting the stars at night, consider also shooting on moonlit nights when clouds or even storms are around.  Lightning is an obvious draw for many photographers, but if you let your imagination roam you can find unusual night compositions.
Most photogs. want clear skies when they shoot at night, but the clouds added drama to this overview of Norris Geyser Basin in Yellowstone Park.

Most photogs. want clear skies when they shoot at night, but the clouds added drama to this overview of Norris Geyser Basin in Yellowstone Park.

SHOOTING TRANSITIONS 

As I’ve gone along, shooting in weather of all kinds, I’ve learned that shooting on weathery days is all about transitions.  Periods when weather is moving in on you or just clearing away very often offer the most rewarding light and atmosphere.  That’s why I titled this post Shooting around Weather, not in it.

  • Given that weather transitions usually happen quickly, it’s important to be ready.  That means, for a start, getting out there.  Some people think it strange, but a landscape photographer looks at bad weather forecasts and plans to go out shooting.  And it’s not just landscape shooting that can benefit.  You’ll get some of your most interesting architecture, people or wildlife shots when weather adds some drama to spice things up.
The interesting light here at Bollinger Mill & Bridge, Missouri is from a rapidly approaching violent thunderstorm.

The interesting light here at Bollinger Mill & Bridge, Missouri is from a rapidly approaching violent thunderstorm.

  • So how to plan for something so capricious?  First, identify “transition days” ahead of time.  They are days when weather shifts from one regime to another, and the weather-person will sometimes call them out for you.  Otherwise you can see them coming yourself, once you’re familiar with the weather in your area.  Because they are full of change and thus unpredictable, you can easily get skunked with either socked-in conditions or clear blue skies.  But you can be rewarded with fantastic light as well.
  • Because they are literally defined by change, success on transition days is anything but guaranteed.  So instead of trying to outsmart the weather, go out on storm days too.  Transitions in the middle of stormy periods, often featuring brilliant sun-breaks and colorful rainbows, occur between fronts and generally don’t show up in weather forecasts (although you can sometimes see them on radar).

Within seconds, the rain stopped and light of the setting sun shot out from behind the Grand Tetons, Wyoming.

 

  • Watch the sky carefully and try to anticipate transitions.  This can take practice, and expect Mother Nature to throw you many curves.  During dry times, get to where you want to shoot and wait (hope) for the shift to stormy weather at the right time, when the sun is low.  During the storm, get to your spot and shelter there with camera & tripod at the ready.  As the sun lowers, there is always the chance it will dip below the storm clouds, illuminating everything in beautiful light.

Thanks for reading.  Now I’m off to get some shots of the ocean and sky in tropical storm weather.  Wish me luck!  Have a great weekend and happy shooting!

Recent sunset in a coastal area along the Gulf of Mexico where Hermine was due to hit.

Recent sunset in a coastal area along the Gulf of Mexico where Hermine was due to hit.

Single-image Sunday: Panorama   8 comments

Tucki Mountain looms as a storm moves in to Death Valley.

Tucki Mountain looms as a storm moves in to Death Valley.

I so rarely post panoramas that I noticed something: I’ve started to do fewer of them.  That’s a shame, and so in Death Valley recently I made sure to do a few.  This is one.  It isn’t too wide and skinny.  I have one of this scene which is, and it looks like a thin strip on the computer screen – not good.  Panoramas don’t tend to lack impact when viewed on a screen, but when printed out (especially large) they are spectacular.  Of course it isn’t cheap to print and frame a pano, but if you put it in the right spot, where it can be examined from fairly close-up, it’s worth it.

This image is similar to a more standard crop I posted for Friday Foto.  This was a fantastic storm that swept in toward sunset just as I had emerged out onto the top of the alluvial fan after hiking a canyon.  It was very windy, difficult to keep the camera steady enough for sharp shots.  In those cases it’s hard to use a tripod unless you weight it down.  Often it’s best, if you have enough light, to just hand-hold your shots with the lens’ image stabilization activated.

It’s springtime in the desert and other areas of southern California.  Beautiful flowers are blooming everywhere.  These moody stormy images aren’t exactly what people want to see right now.  But I love these conditions anytime I get to photograph them.  And that goes double when I’m in a spectacular location.

Looking down the valley as the storm moved toward me, blowing sand out ahead of it, was invigorating to say the least!  And being in an elevated position at the top of an alluvial fan allowed me to capture the distant hulk of Tucki Peak.  After this it got dark rapidly and I got to get wet as I walked down the fan into the teeth of the storm.  See below for some geologic details for Death Valley and Tucki Mountain.  Enjoy and thanks for looking!

ADDENDUM: GEOLOGY

Tucki Mtn. & Telescope Pk. are Death Valley’s two iconic mountains.  I’ve climbed them both but it’s been quite a long time since Tucki (it can be much tougher than the much loftier Telescope).  Tucki sticks outward into the valley in a position where it’s hard to miss.  Two or three million years ago the whole Panamint Range, including Tucki, began to slide northwestward off the top of the Black Mountains on the other side of the valley along what’s called a detachment, or low-angle normal fault.  In addition Tucki has been pushed up to form a “metamorphic core complex”, where erosion has exposed metamorphic rocks formed far beneath the surface.

Tucki has also been pushed north relative to the mountains across the valley along strike-slip faults related to the San Andreas Fault and plate boundary to the west.  Death Valley itself is a graben (German for grave) that opened under extensional stresses as a result of this shearing motion.  The bottom literally dropped out and now the valley floor lies below sea level.

Best of 2015: A Year in Three Images   17 comments

Have you noticed that pretty much every photographer publishes a “best-of” list at the end of each year?  Hmm…not sure if I want to continue to cooperate on this.  I never feel good about doing things that seem expected; just my personality.  So I’ll do my own variation on the theme.  I’ll post three of my favorites for the year.  Not 10, and certainly not 15.

But here’s the hitch:  if you have other ideas on the matter, images of mine that you’ve seen either here on the blog or on my website, by all means let me know and I’ll post them.  They will appear with your name in upcoming Single-image Sunday or Wordless Wednesday posts.  Just comment on this post with the link to the shot or describe it using its title/caption.

I love this first one for the exceedingly brief moment it represents, and the way it tells a story about the battle between storm and mountain range.  The placid pasture with grazing cattle is just the sort of contrast that a story-telling image is made stronger for.

Knocking on the Door: An April snowstorm breaks over the Sierra Nevada in California.

Knocking on the Door: An April snowstorm breaks over the Sierra Nevada in California.

I’m fond of this next one not only because I almost didn’t get up it was so windy and cold, but it’s one of my rare “planned shots”.  I have been wanting to get a well-balanced shot of this barn and homestead in nice light for quite a long time.  Also, the horse being outside on a very chilly dawn made me think it was meant to be.

The Old Gifford Place: An historic homestead lies beneath the cliffs of Capitol Reef in Utah.

The Old Gifford Place: An historic homestead lies beneath the cliffs of Capitol Reef in Utah.

I like last one a lot because while the sky is not overly colorful, it’s amazing the way sunlight can be aimed as a powerful beam when it is squeezed between cloud and landscape.  And when that light is collected on a simple hillside of quaking aspen, where I had just barely reached an opening in the forest, it can turn your whole world golden.

Happy New Year everyone!

Golden light floods into a grove of quaking aspen in Colorado's Cimarron Mountains. I love this one because while the sky is not overly colorful, simple sunlight collecting on a hillside of aspen can turn your whole world golden.

Golden light floods into a grove of quaking aspen in Colorado’s Cimarron Mountains.

 

 

Single-Image Sunday: Storm over the Sierra   19 comments

An April snowstorm knocks on the door of the Sierra Nevada in California.

An April snowstorm knocks on the door of the Sierra Nevada in California.

I’ve been covering tripod use on Friday Foto Talk lately.  Since I missed this past Friday, I thought I’d relate something that happened this past spring along the eastern side of the Sierra Nevada in California.  It’s an example of when using a tripod might cause you to miss a great shot.

A storm was trying to force its way over the mountains from the west.  It was a strong, dramatic front, carrying snow as it turned out.  The snowstorm, once it made its way over, forced me to abandon any hope of making it to Mono Lake, which I had hoped to reach by sunset that evening.

Most of the Sierra were covered in clouds, the sky dominated by grays.  But I could see the potential if I could just catch a break in the clouds, so I kept my head on a swivel as I drove.

Sure enough, I looked back over my shoulder and saw a field with cows grazing, the clouds beyond showing signs of breaking.  After a quick U-turn, I approached the meadow and saw the mountains starting to emerge.  But it looked to be a small & brief window, the kind that closes up as fast as it appears.

Instead of getting the tripod out and taking the extra half-minute to mount my camera and extend the tripod legs, I opted instead to make haste.  As I was whipping off the highway & parking on the shoulder, I decided which lens I would need, mounted it, and beat feet to a viewpoint I spied some 50 yards away.

Just as I got in position the scene came together.  I spun the ISO a bit higher so my shutter speed was fast enough to avoid blurring, held the camera as still as I could, and took the shot.  Seconds later the clouds covered the peaks again and the light dimmed.  I didn’t know if I had gotten anything decent; the mountains never revealed themselves fully.  But I knew I liked the composition.

I was happy when I looked at the picture later on.  I knew I had an image that communicated the drama of the approaching storm, a drama I had been feeling that entire afternoon.  Not really knowing what I want to shoot, but having a feel, in the back of my mind, for what I want to communicate, that’s often my goal.  For me it’s one of the most fun ways to do photography.

It could have worked out so I had plenty of time, and I would’ve felt dumb for not grabbing my tripod and getting a slightly better quality image.  But you never quite know for sure.  You need to make quick decisions while driving or hiking (even running) into position.  One is which lens you’ll use, and the other is whether to risk the extra moment to use your tripod.  The idea behind photography in my opinion is to get the shot.  It’s not to make each of your images technically perfect.

Have a great week!  And to my fellow Americans, happy Independence Day!

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