Archive for the ‘Moab’ Tag

Single-image Sunday: Hidden Gem   9 comments

I’ve been going back through all the photos from this last trip, searching for pictures I may have missed.  I’ve found a few, but it’s always the case that most of those I don’t catch on the first pass are just good not great shots.  I like this image but I want you be the judge of that.  Please give your honest comment below.

 I recall being a bit late getting up for sunrise on this particular morning.  It was a hike up to the top of a ridge in an area I had mountain-biked the day before.  The beautiful light arrived before I made it, so I turned around and set up right down on the slickrock, shooting back towards where I was camped.

The dawn light was very pretty, but there was also a lot of contrast.  So I wasn’t sure about the quality of the image.  Also there was the fact I was on the way to somewhere else.  I try not to let that influence my opinion of a shot, but sometimes it does.

After I spent some time editing this to subdue the contrast, trying to make it look like what I saw that morning, I saw it was a  nice shot.  I’m happy with the image mainly because it captures the feel of this place:  long curving striations of the Entrada Sandstone sweeping away and merging together in the broken and juniper-dotted background.

It’s an area that, while known by serious mountain-bikers, is off the radar for landscape photographers.  And the area around Moab, Utah certainly draws its share of photogs.!  I worked pretty hard there to find a half-dozen or so relatively unknown areas, at the same time taking the opportunity to do more mountain biking than I had ever done before at Moab.  Have a great week everyone!

Dawn breaks over sandstone slickrock in southern Utah.  Protected by copyright.  Click image for purchase options

Dawn breaks over sandstone slickrock in southern Utah. Protected by copyright. Click image for purchase options

Single-image Sunday: Morning on the Slickrock   4 comments

I’ve mentioned slickrock before on this blog.  It is that sculpted and smooth sandstone that with few exceptions (Cappadocia, Turkey springs to mind) seems to be a unique feature of the American desert southwest. For hiking and mountain biking it can’t be beat.  There’s a freedom you feel on it, no trail, exploring at whim.  Because of its friction, you can walk or bike on crazy steep angles.  On any other surface you would quickly slip and fall on your behind.  If this happened around these parts you just might wind up making a mess thousands of feet below.

So if slickrock is so sticky for sneakers and bike tires, why on earth is it called slickrock?  The name goes back to pioneer days, when white explorers, miners and cowboys first traveled through this canyon country.  Their horses, shod with steel horseshoes, found it nearly impossible to gain any kind of purchase on this rock.  Horses can do much better on it with the hooves Mother Nature gave them, but shod they might as well be on an ice-skating rink.

This image I shot while riding my mountain bike one morning near Moab, Utah.  Moab is well known for its slickrock riding.  The Slickrock Trail is famous around the world, but since I’ve ridden that “trail” on two previous visits, I skipped it this time.  Instead I explored much less crowded slickrock rides a bit further from town.  This one, an area called Tusher, is about 18 miles north of Moab.  I had it to myself.  It’s a great ride, with a bonus: dinosaur bones are weathering out of the rock in the draw on the way up to the slickrock.

I’ve been trying for a picture that gets to the heart of hiking or riding the rollicking roller coaster that is slickrock.  I didn’t want a cyclist or hiker in the shot competing with the stone (easy on this day).  I also wanted to show both the texture and smooth curves of prime slickrock.  I think this image is as close as I’ve come.  Please let me know if you like it or not, and why.  Don’t be shy if you don’t; my skin is thick.

I hope your weekend is going well!

Morning sunlight on slickrock: Utah.  Please click on image for purchase options.  It's not available for free download.

Morning Sun on Slickrock: Utah. Please click on image for purchase options. It’s copyrighted & not available for free download.

Friday Foto Talk: Lessons from the Field   11 comments

The day begins in southern Utah's desert.

The day begins in southern Utah’s desert.

I had quite an eventful day yesterday.  I don’t normally spend a lot of time blogging about the goings-on in my life.  This isn’t reality television after all!  But I’m going to make an exception because of how the day unfolded as a cautionary tale for any nature photographers out there.  Amazingly enough, all three parts of my day (sunrise, mid-day and sunset) contain lessons relevant to photography.  It might be instructive to take a look at how yours truly sometimes does things, if only so that you might learn what not to do!

Lesson 1 – When to Challenge Yourself

This is something that was brought home to me while shooting sunrise yesterday.  I was camped at Bartlett Wash in southern Utah.  It was my second visit.  As far as I know, the place is relatively unknown amongst photographers.  But I think it has a lot going for it.  Beautiful reddish & smooth sandstone with fascinating patterns overlooks a pretty canyon.  Atop this so-called slickrock lies a collection of white, mushroom-shaped sandstone monoliths, with views that include the La Sal Mountains.

On the first visit to Bartlett I was a bit late for the dawn light.  And having walked up to the white sandstone monoliths, I had trouble finding a good composition.  Even though it’s obviously an interesting place with plenty of photographic potential, it is also challenging.  The main trouble comes when trying to find good shooting positions (or points of view).  Some of the best compositions are found from atop the mushroom monoliths, but some of them are far from easy to climb.  And which one to climb?  It’s a bit confusing.

Dawn from the "mushroom monoliths" at Bartlett Wash.

Dawn from the “mushroom monoliths” at Bartlett Wash.

On the contrary, the reddish slickrock below is not only easier to get to, it is chock full of leading lines and other strong patterns.  It’s much more a gimme than the mushroom rock above.  So on this second visit, I told myself I would be early and make sure to shoot the reddish sandstone in the best light.  I woke early enough alright, but something made me go up to the mushroom rock.  I spent the time of best light up there, again getting frustrated looking for good compositions.  By the time I got around to the red slickrock the sun was well up and the light a bit harsh.

Classic cross-bedded sandstone slickrock in southern Utah.

Classic cross-bedded sandstone slickrock in southern Utah.

I don’t know about you, but I often go for the more challenging photo  subjects, even when I know a more-certain option exists.  The red slickrock was there for the taking.  I saw plenty of strong compositions which don’t involve any real challenge; you just walk right up to them.

But here’s the thing: it’s not at all clear that it was worth the extra effort to bang my head (metaphorically) against the white mushroom rock.  It may or may not have yielded the best images at Bartlett.  But the fact that it’s more challenging up there drew me.  And so I missed good light in the more certain photographic terrain of the red slickrock.

The mountain-biking terrain at Bartlett Wash, Utah.

The mountain-biking terrain at Bartlett Wash, Utah.

Only you can decide which path you will take when presented with similar options during your shooting.  It may depend on your mood.  I don’t know if it’s very smart for me (a non-morning person) to pick the more challenging path for sunrise.  But without thinking about it that’s what I did.  You might be better able than me to see where the better pictures are to be had and go there without regard for challenge.

In fact, it makes more sense to save the more challenging terrain for a time without the extra stress of quickly passing dawn light.  The idea is to find the good composition at leisure and then return for it in good light.  That would be the logical way to do it.  Sometimes I am not the most logical person.  But I’m sure of one thing: the process of tackling challenging photographic subjects in quickly changing light can definitely make you a better photographer.

This juniper tree appears to lean against a sandstone monolith at Bartlett Wash, Utah.

This juniper tree appears to lean against a sandstone monolith at Bartlett Wash, Utah.

Lesson 2 – Be Prepared

This one isn’t tied directly to any photographs I took, but it’s certainly relevant to photography.  In mid-morning, after the sunrise shoot (see Lesson 1), I decided to do a short mountain bike ride at a place called Bartlett Wash in southern Utah.  Or that was the plan, to play on the slickrock there for just an hour or so.  By the way, slickrock is smooth sandstone that is perfect for off-trail hiking and mountain bike riding.  The Moab, Utah area here is famous for it, but it occurs throughout the American desert southwest.

While riding, I became intrigued by the slickrock terrain on the other side of the wash from where I was riding.  Yes, the grass is always greener on the other side, and the slickrock is always smoother!  Finished and back at the bottom, I saw a little sign I had not noticed, pointing to the area I had been curious about.  It said simply “3-D Jedi”.  I had not heard of that ride.  Bartlett was in my guidebook but not this one with the fascinating name.

Views of canyon country: the Book Cliffs, Utah.

Views of canyon country: the Book Cliffs, Utah.

So instead of heading back as I should have done I biked up onto the slickrock.  I told myself I would just check out the first mile or so, but you know how that goes!  The thing is, since I was only out for a little bit, I didn’t bring any sun screen or sunglasses (the day started out cloudy).  I also didn’t bring a repair/patch kit or bike pump. And crucially, I had no map and no water.  Yep, you heard it right, I was out in the desert with no water.

Stupidly, I kept going..and going.  The ride turned into a 5 hour ordeal (I mean ride!).  Though I never saw another soul, a set of bike tracks was visible in places, plus sporadic rock cairns marked the route.  So I was pretty sure I wasn’t getting lost.  I kept wanting to head back but the thought (hope?) that I was riding a loop kept me going. For over a mile the “trail” skirted a narrow ledge with a truly dizzying drop on one side.  Needless to say I walked my bike on the narrowest parts.

View from the Jedi area near Moab, Utah.

View from the Jedi area near Moab, Utah.

When the route finally descended onto more great slickrock and dropped onto a jeep track, I saw my first sign at a junction.  Though the sign didn’t say 3-D or Jedi, I guessed the left fork would lead me back to where I came from.  Deep sand had me pushing my bike for a good while, and the sun came out in force.  I was THIRSTY!  Then my luck turned: I saw a sign that said 3-D with an arrow pointing ahead.

When the sandy jeep track crested a ridge I recognized the canyon.  I was back in Bartlett!  The surface grew firm and I raced down the twisting trail.  I had made it!  I almost attacked the water back at camp, and in fact had to rein myself in.  You can get very sick drinking too much water at one time.  It even has the potential to kill you.

Slickrock makes the finest riding surface for biking around Moab, Utah.

Slickrock makes for the finest riding surface for biking around Moab, Utah.

Lesson 3 – Go slow to go fast

You might have heard this expression before.  If you don’t take your time enough to do things right, even under stressful conditions when hurrying is important, you will pay the price.  You’ll spend much more time either fixing mistakes or regretting not having been more careful.  This was brought home to me during my sunset shoot yesterday.

After the big bike ride, I realized I had time to go somewhere for sunset.  I felt I had played Bartlett out, and it’s best for sunrise anyway.  There’s an area I also like near Moab, one that also doesn’t see photographers.  It’s great for sunset, with a grand view of the La Sal Mtns.  There is one hitch though – access.  You either need to do a rough 4WD jeep trail or hike in from the other side.

The hike up the wash toward my sunset spot.

On the hurried hike up the wash toward my sunset spot, I paused just once for this shot.

The hike (which takes about an hour) goes up a canyon.  Then you need to climb out of the canyon up onto the rim.  There are only a couple reasonable routes, the rest being cliffs.  I explored this area awhile back for the first time.  When I started out sunset was 55 minutes away, so I was in a hurry.

Almost at the top, I glanced over to the La Sals and saw beautiful light beginning to hit them.  There was one more 10-foot ledge to scramble up, and I was determined not to miss the light.  I stepped on a huge block of sandstone that I should have been suspicious of.  It shifted and came smashing down on my ankle.  I wrenched my leg away just in time then came a mad dash for safety as the huge rock began rolling.  Luckily it didn’t go far and I was able to get out of the way.

I lay there on my back in some pain.  Looking up into the sky I saw the clouds turning orange and pink.  But suddenly that didn’t matter.  I gingerly rotated my ankle.  Amazingly it seemed okay.  The real test came when I got up and put weight on it.  Yes!  It seemed to be only bruised and cut.  To shorten the story, I made it to the spot I had in mind and got some nice shots (bottom).  After the sun set I made my way down.  Though I had my headlamp, it’s somewhat nerve-wracking to pick your way down a steep rocky descent in the dark.

On a different hike in Arches National Park, I decided to capture what it's like to still be on the edge as darkness falls.  Car headlights trace the park road.

On a different hike in Arches National Park, I decided to capture what it’s like to still be on the edge as darkness falls. Car headlights trace the park road.

That night as my ankle swelled up, I thought about how stupid I had been.  Go slow to go fast!  It’s even more important advice when the light is pushing you to hurry. Though it’s important not to waste time getting set up (the light won’t wait after all), over-hurrying often results in mistakes that show in your pictures.  Bad photos are one thing; always remember that much bigger disasters are possible when you’re in a big rush.

So think about what you’re doing when out photographing nature.  It’s a real excursion, and you are the only one responsible for your safety.  Go prepared.  Pay attention to your surroundings.  Take your time.  It’s important to come back with the best pictures possible.  But it’s even more important to come back!

Thanks for sticking with this long post.  If you’re interested in any of these images (which are copyrighted and not available for download without my permission), please contact me.  Click on any of the pictures to go to my galleries.  Thanks for your interest.  By the way, my ankle is sore but just fine.

The view from "almost broken ankle point" in Utah.

The view from “almost broken ankle point” in Utah.

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