Archive for the ‘Grand Canyon’ Tag

The Campaign   18 comments

A skiff of snow overnight and a very frosty autumn morning near Dallas Divide in Colorado's Rocky Mountains.

A skiff of snow overnight and a very frosty autumn morning near Dallas Divide in Colorado’s Rocky Mountains.

This is an image from my last road trip through the American West.  I had hoped to just catch the fall’s last colors in the Rockies, after most of the other photographers had gone, believing the peak had passed.

I spent a freezing night and next morning the sun didn’t show.  Instead the light was a sort of overcast glow, great for details and colors in either macro or intimate landscapes, but with a sky very unfriendly to larger landscape images.

Besides very high contrasts, the relatively featureless sky was a problem.  As I drove down out of the Mt Sneffels Range trying to avoid being stuck in the snow, it turned to rain.  So I just stopped and admired the beautiful tones and detail in the landscape, and the great fencing in that country, decorated with frost.

I decided to throw on a parka, protect my camera from the cold rain and make an attempt at capturing some images.  I was sure none would end up to be award-winners, but that wasn’t stopping me with this fairly unique color palette in front of me.

Now I know that just broke my promise of avoiding giving you a boring blow-by-blow account of image capture in this blog.  But I just wrote that because this is one of those images I could never have made with this point and shoot camera I’ve been using ever since my DSLR died a painful death.

Too much detail and depth would have been lost, and the colors would not have been rendered quite as faithfully by the little zoom lens.  And besides, you really need a decent DSLR, one with good dynamic range, to handle these contrasts.  Even using a graduated ND filter is virtually impossible with a point and shoot camera.

And there are countless other images that I’ve made that would never have been possible without a certain minimum  in quality of camera and lens.  Starscapes, for example, are impossible.

In other words, this little snapshot camera can only go so far before it stymies me.  It won’t work.  I simply cannot remain a serious photographer this way.  I can’t pursue my short and long-term goals, can’t chase the dream.

This long exposure starscape from the Grand Canyon would of course had been impossible without my full-size camera.

This long exposure starscape from the Grand Canyon would of course had been impossible without my full-size camera.

Last week I started a crowdfunding campaign in order to replace the lost camera gear.  Although I’ve gotten some contributions, for which I am so grateful, it needs to ramp up in speed.  I’m working on some other (local non-tech-based) ways to advertise the campaign, but I definitely need more online help as well.  There is no problem with the campaign.  The goals I have are both realistic and designed to make a difference.  And in exchange for contributions I am giving away high-resolution, high-quality images, plus my knowledge.  But more eyes need to see it.

I can be persistent, almost to an extreme.  I will keep at this until I succeed.  I have real faith that my vision and the way I see this beautiful world will garner enough genuine appreciation among people to be worth continuing and doing something useful with.

And so, please, when you have a few minutes, check out the write-up and sample gallery.  It is on a crowdfunding site called Indiegogo, and here is the link:  My Campaign.  If you decide you can afford a contribution, you will not only have my heartfelt thanks, you’ll have some of my images for your wall too!

But I have another request.  Equally important to contributions is getting the word out to a wider audience.  You all are a pretty darn loyal and sincere bunch.  In fact, you’re what has kept me blogging!  So I have faith you can help me to spread the word.  Share that link, talk to your friends, have them take a look at my website (though there is a good sampling of images also on the campaign’s page).

I hope you don’t mind if I remind you by including a simple blurb and link in succeeding blog posts.  It’s very important to me.  Thanks for reading and have a fantastic weekend!

One of my favorite sunset  images, classic Oregon Coast.  The metaphor is too tempting: I don't want the sun to set on my photography.

One of my favorite sunset images, classic Oregon Coast. The metaphor is too tempting: I don’t want the sun to set on my photography.

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Weekly Photo Challenge: Masterpiece   27 comments

Instead of Single-Image Sunday this week I’ve decided to be a joiner for once.  I’m not generally a joiner, but I like the theme Masterpiece.  Also, I felt the need to view other people’s photography.  It’s like eating meat.  I don’t do it a lot, but occasionally I feel the need.  So I’m participating this week on the Postaday’s Weekly Photo Challenge.  Hope you enjoy the image.  Just click on it if you’re interested in purchase options.  It’s copyrighted and not available for free download, sorry.  If you have any questions, just contact me.  Thanks for looking!

A full moon lights this view from the North Rim westward down the length of the Grand Canyon in Arizona.

A full moon lights this view from the North Rim westward down the length of the Grand Canyon in Arizona.

This image, which I think I posted as part of a Grand Canyon theme some months ago, is one of my favorites.  It speaks to me of the unity between the earth and the cosmos.  I think of everything we can see in day and night, the earth and space, the whole shebang, as one enormous masterpiece.  This is the winter night sky, so it’s not like so many shots you see (including mine), where the Milky Way arcs across the sky.  Instead we’re looking outward toward inter-galactic space.  For me it makes the image even better.  You can also notice some left-over smoke from fires, drifting in low layers over the Canyon.

I almost didn’t capture it.  My foot was injured and I didn’t want to make the 1/2 mile hike in the darkness down to this viewpoint.  But the moon rose, nearly full, so I went ahead and limped down there.  When I arrived I didn’t see this composition.  I hopped the fence and carefully worked my way to the edge. Looking down into the black void was freaking me out, so I concentrated on the stars and the distant canyon.  I used a very wide angle, 15 mm.

The image is a combination of two images taken one after the other.  The first one was for the land, with a static camera, and the second was for the stars, tracking their apparent movement across the sky so they wouldn’t blur.  I have a tracking mount for my tripod.  I combined the two images in Photoshop to come up with an image very similar to what I saw that night.  This isn’t easy, matching your memory of the view with your final image.  It’s especially difficult with long-exposure night shots.  Hope you enjoy it.

Smoky Photography at Grand Canyon   5 comments

A smoky view of the western part of Grand Canyon from the North Rim.

A smoky view of the western part of Grand Canyon from the North Rim.

 

This is a follow-up to a two posts on photography under smoky skies, one from Crater Lake and one from the North Cascades.  On my recent trip through the American West, I was as close as I’ve ever been to Grand Canyon’s North Rim.  Having never been there, I just had to make the side-trip up there.  I had heard that they were doing some prescribed burning in this part of the park.  Prescribed fires are very common in the West these days, as land managers try to reduce the amount of fuel in forests in order to discourage large damaging wildfires in future.

This fire, on the north rim of the Grand Canyon is one of several "prescribed burns" that took place in Fall 2012.

This fire, on the north rim of the Grand Canyon is one of several “prescribed burns” that took place in Fall 2012.

Because of the fires, I almost skipped the North Rim (again).  I was hoping to do some star photography, and very clear air is necessary for that.  I’m very happy I swallowed my misgivings and headed up there.  By the way, for some detailed travel-related tips on the North Rim, check my previous post.

Grand Canyon's majesty is on display as viewed from the north rim at Bright Angel Point.

Grand Canyon’s majesty is on display as viewed from the north rim at Bright Angel Point.

The image above was one of my first views of the canyon.  When you approach on the longish highway that traverses a flat, forested plateau, your first view of the canyon is always a stunner.  You know it is there, but the majesty and scale is always surprising.  In the late afternoon the skies were quite smoky, but this view towards the west is actually pretty clear.  The fires were to the west of my location here, which meant the light was ruddy red, yet I was not enveloped in smoke (where good photos are extremely difficult to get).

The sunset was pretty darn incredible.  I pointed my camera towards the west, where smoke was thicker.  Because of this, I did not even need to use a graduated neutral density filter to darken the sky.  This is quite remarkable; pretty much any other sunset photo like this would require this filter.  And no need to add saturation during post-processing, though you do need to add some clarity and contrast to cut through the haze.

Cape Royal on the Grand Canyon's north rim sees a colorful sunset under smoky skies.

Cape Royal on the Grand Canyon’s north rim sees a colorful sunset under smoky skies.

After sunset, the air cooled appreciably and the smoke steadily decreased.  You can see this in the starry image of the rising full moon below.  There is some haze around the moon, but the sky above is bright with stars.  It looked like I might get the best of both worlds!  As it turned out, photographing towards the west was still impacted negatively by the haze, but only for the stars.  The landscape part, the lower part of the image at bottom, turned out fine.  I processed the sky separately, and then merged the two in Photoshop.

The full moon rises on the North Rim of Grand Canyon, as Orion, Jupiter and company shine above.

The full moon rises on the North Rim of Grand Canyon, as Orion, Jupiter and company shine above.

Photographing during smoky conditions allows you to do at least two things: (A) While staying away from the worst of the smoke, try pointing the camera away from the sun, with your subject  bathed in light filtered through the smoke.  (B) As the sun gets very low, and depending on how hazy your foreground and mid-ground is, try photos towards the setting sun with a sky fully or partially shrouded in orange smoke.

I had a fine time up on the North Rim, despite (or maybe because of) the smoky conditions.  Thanks for reading.

A full moon lights this view from the North Rim westward down the length of the Grand Canyon in Arizona.

A full moon lights this view from the North Rim westward down the length of the Grand Canyon in Arizona.

 

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