Last week because of Christmas I skipped Foto Talk. I hope the holiday was fun and festive for all. The series on video is not done yet, so let’s jump back in with perhaps the most important (and challenging) aspects of video. I’m assuming that you wish to catch native audio; that is, the sounds that you hear during your video clips. Adding audio later, whether it’s music or something else, is certainly possible and in many way easier. But my initial goal is always to capture interesting audio at the same time as the video.
Check out the previous posts in this series for tips on the visual half of video. In order to view the videos in this post, click the title at top-left, or on the link. You’ll shoot to my Vimeo page where you can click on the play button.
There are several pitfalls to watch out for when recording audio. The main ones follow, along with solutions. As you do with photography, tailor your solutions for sound-recording problems to the specific subject and situation.
- Built-in Microphone. Your camera’s microphone, while usable, is essentially a starter mic. Depending on its quality, the sound can be tinny and harsh. It also can’t easily be used with a windscreen. But don’t forgo your internal mic entirely. It can be a better recorder of ambient sound than the shotgun mic that you’ll likely purchase (see below).
Solution: An internal microphone is okay for starting out. But sooner or later you’ll want to purchase a separate external mic (or two) that mounts on your hotshoe. There are two basic types of microphone, and what you most like to record will determine whether you get one or the other (or both). If you want to record discrete sound sources (bird calls, a person talking or singing, etc.) get a shotgun mic. If you most often record diffuse soundscapes with the sources scattered around you (the video at top is an example), get an omnidirectional mic. The shotgun mic (which comes in different types which vary in their degree of directionality) can cost a lot more than the omni mic. But it’s useful in a far wider set of circumstances. So I recommend buying a shotgun mic first.
- Wind. The wind often adds atmosphere to a setting (see link to video below). So why not record it? Not so fast! Your ears are designed in a wonderfully organic way. But when wind hits a microphone it doesn’t sound atmospheric. It just sounds like somebody trying to annoy you by blowing into a mic.
Solution: There is a deceptively easy solution to wind noise. If and when you buy an external mic, buy a windscreen for it and don’t take it off. They come in foam or hairy (“deadcat”) versions, or you can make one yourself. Depending on how strong the wind is they can be very effective in blocking out wind noise. But they aren’t 100%, so you should take steps to shelter the mic further from strong winds. Point down-wind and block with your body if at all possible.
Wind and Quaking Aspens: Colorado Rockies
- Image Stabilizer & other Space-outs. I hate to admit how many great soundscapes I’ve recorded that are immediate candidates for deletion. Why? Because I forgot to turn off the image stabilizer (IS on Canon, VR on Nikon). That little motor you barely notice while shooting stills will sound like a generator, even if you use an external mic. Another easy thing to forget is the sound setting itself. If you turn off sound recording in the menu (say you plan to add sound later), you’ll feel as dumb as a post when you play back to dead silence. You may think it’s hard to be this forgetful, but when you’re grabbing a quick video in the midst of shooting stills, believe me it’s easy to space out. Finally, if you have an external mic it can be easy to forget to turn that on.
Solution: Get in the habit, every time you switch to video mode, of checking to make sure that IS or VR is turned off. Also helpful is getting in the habit of reviewing and listening to at least portions of your clips. And before you do any video make sure that the sound setting is turned on. Then if you turn it off for a video or two, go in right after and turn it back on. Make it your default setting. Most external microphones have a little light that says it’s on. But get used to turning your mic on (and off when you’re done) every time you record.
- Planes. Aircraft (planes, helicopters, and now drones) are a type of unwanted noise that deserves its own category. Whether you’re recording the human voice or the sounds of nature, planes just seem to show up at the worst times. Soon after you press the record button, you’ll hear one buzzing overhead. It’s almost guaranteed. I never fully appreciated the amount of air traffic in our world until I started shooting video and recording natural sounds.
Solution: Mostly patience is all that is required. Planes don’t take too long to pass over, though while you’re waiting it can seem an eternity. If you’re under a flight path it may take awhile to get a silent window. If a helicopter is working in the area you’re stuck with it and should probably return another day. If somebody has a drone and insists on flying it near you, well that’s what a slingshot or pellet gun is for (just kidding..I think).
There is more to sound than the above, and next time we’ll dive in a little deeper. But if you can overcome these simple stumbling blocks, you’re well on your way to recording quality sound with your videos. Thanks for reading, and have a happy and photographic New Year!
White Dome geyser in Yellowstone National Park erupts into a beautiful morning.
While looking over the 10,000 or so images from this recent trip around the West, I’ve been finding little jewels in the heap of…well, let’s just say there are many photos not worth keeping. Realizing that I already looked at these photos once, however briefly, I know they don’t necessarily have immediate impact. Their charms are typically more subtle. Best of all, many demonstrate important photography habits that I practice more or less naturally, and are worth sharing.
This photo I made while camping in a (very) chilly Lower Geyser Basin in Yellowstone National Park. This is my favorite geothermal area in the park (with Norris being a close second). I love photographing here in the evening (see image below), well after the sun has set, and also in the very early morning. I was there in mid-October, so mornings were downright freezing. This means plenty of steam, but it also means you will probably see buffalo rousing from their beds in the morning. These iconic beasts often spend the night in thermal areas when nights turn cold.
Moonlight and steam on a cold night at Hot Lake in Yellowstone’s Lower Geyser Basin creates a mystical scene.
The concept that the photo at top demonstrates is this: there is almost no photo, certainly no landscape or nature composition, that is not worth trying from a very low shooting position. It is often the case where the lower the camera is, the better. So you need to get down on your belly or have a tripod which allows you to set the camera very close to the ground.
Bison begin the day’s grazing after spending a cold night in Yellowstone’s Lower Geyser Basin.
The shame part of the tip comes from the fact that people will often stare at you while you’re in “strange” shooting positions. I will usually start off shooting the composition from a bit further away, then move closer as I shoot. Usually the best photos are the closer ones. When I am very low, hand-holding the camera, I will often crawl on my belly towards my subject. In the case of the photo at top, White Dome Geyser, I was doing my best imitation of “army guy crawling under razor wire” when I felt a rumbling in my belly.
The moon is enlarged through the steam over Hot Lake in Yellowstone National Park.
At first I thought it was just my stomach telling me it was past breakfast time (I had been shooting for a couple hours, since before sunrise). But the geyser quickly made it clear what the rumbling meant as it began to erupt. I managed to get a few frames off before I started getting pelted with hot water and had to scramble away.
As I got up and looked around, there were at least a couple observers chuckling and nudging each other. Sure, I felt a little embarrassed, but I also knew there was a good chance I got a nice shot. Always remember this: your photo will last longer than you, while your shame usually lasts mere minutes; you will have forgotten all about it by next day. So go ahead, photograph without any shame.
Steam drifts over Yellowstone’s Lower Geyser Basin on a starry evening.
Perhaps you’ve heard this cheerful little nugget of information: Yellowstone National Park conceals a huge volcano that will soon explode and destroy most of America. Well, I’m not overly worried about this admittedly enormous volcanic system. And it’s not because the prevailing winds would likely blow the ash toward the east, away from my home in Oregon (even though this does help me sleep at night).
No, the real truth of the situation at Yellowstone lies somewhere between Discovery Channel’s scare tactics and the blissful ignorance that we lived with in the pre-super volcano days. By the way, just this past summer there were two people killed (one partially eaten) by grizzly bears. “Jellystone”, America’s iconic family camping destination, with friendly Yogi & Booboo hiding behind a pine tree hoping to steal your “picinic” basket, will never again seem so innocent, so charming.
One of Yellowstone’s iconic thermal features (and one huge hot spring) is Grand Prismatic Spring, as viewed from a nearby hill.
This post will concentrate on the geology of the Yellowstone volcano, so if you’re not too much into science, feel free to view the pictures of thermal features instead. After all, it is the geysers and other features that are a direct surface reflection of the sleeping giant beneath. If you click on any of these images, which are copyrighted and require permission to download and use, you will be taken to my website, where purchase for either download or print ordering is very easy to do. Thanks a bunch for your cooperation and interest.
The moon creates a surreal scene in Lower Geyser Basin in Yellowstone National Park.
So-called super volcanoes are known by volcanologists as caldera systems. Essentially, these are raised, roughly circular areas underlain by large underground chambers of magma (melted rock). The magma in caldera systems tends to be particularly charged with gases. This is in large part because the magma is not buried very deeply, thus receiving rainwater from the surface.
When the volcano eventually erupts, these dissolved gases flash to the vapor phase and drive an eruption so violent and complete that most or all of the magma chamber is evacuated. And since the overlying area is large you get a catastrophic collapse of the volcano back into the emptied magma chamber. The collapse itself can drive continued violent eruption, like a giant piston driving the remainder of the magma forcefully out.
The eruption produces, for the most part, deadly hot ash flows (called pyroclastic flows) that race across the landscape, along with truly enormous clouds of lighter ash which can bury landscapes hundreds, even thousands, of miles away.
Caldera volcanoes range in size from those that erupt with not much more violence than average-sized volcanoes, the ones we have experienced in historical times, to those that can change the course of life on Earth. They rarely resemble most people’s idea of a typical volcano. They’re not usually steep-sided, but instead form large areas of irregular topography, often with one or more large lakes. The lakes occupy depressed areas in the interiors of the calderas. Large deposits of volcanic ash and the rock equivalent (called tuff) mantle and partly fill the caldera. So they definitely don’t look like the volcanoes you might have scribbled as a kid in school.
Luckily for all of us living things, the truly apocalyptic caldera eruptions, those that have been documented in Yellowstone and a handful of other systems around the world, happen very, very infrequently. Not so seldom as far as Earth is concerned, but on a human timescale they could be regarded as being below a minimum level of probability that we should worry about.
Of course, some living things, even people, must experience a caldera eruption. It’s believed, for example, that the last really large caldera eruption, that of Toba in Sumatra some 70,000 years ago, led to a collapse of the small human population in Africa to a level that caused a “genetic bottleneck”. In other words, there was some interbreeding going on among the few thousand survivors, who then went on to reproduce and spread out of Africa, carrying a set of genes that even today still reflects an unusually limited genetic diversity.
Yellowstone’s caldera, one of the world’s largest, is in the middle of the Rocky Mountains. This might seem a strange place for a big volcano, since the Rockies are not a volcanic range. But the story of why it’s there is a very interesting one. Yellowstone lies over a hot spot. You might have heard that Hawaii has formed over a hot spot. Most active hot spots have, indeed, been identified in ocean basins (Iceland lies over another). Hot spots are formed when huge columns of heat rise from deep within the Earth, causing melting of rocks in the upper mantle and lower crust. This melted rock, since it is lighter, follows fissures upwards, eventually creating volcanoes at the surface.
A frigid morning breaks over a thermally heated meadow in Yellowstone Park.
The neatest thing about hot spots is that they remain in one place while the crustal plates lying above them move horizontally. Actually, hot spots may move, but either VERY slowly, or only after long periods of being stationary (not much is known about if and how they might move). In the case of the Hawaiian hot spot, the movement of the Pacific Plate northwestward has created a string of volcanic islands, with the most recent, still-active one (Hawaii, the Big Island) on the southeast end. It is here where the hot spot happily pumps away. Actually, there is a newer volcano, called Loihi, still a few thousand feet below the waves, off the east coast of the Big Island. It’s coming.
Now to the Yellowstone hot spot. Along the southeastern Oregon – northern Nevada border, there are a series of quite large, caldera systems that last erupted about 17 million years ago. There are more calderas to the east, slightly younger, and even younger lava fields in southern Idaho. In fact, there is a line of volcanic fields that becomes younger as you go east, marching in a broad arc and pointing right at Yellowstone. The Snake River Plain was created by this volcanic activity.
Geologists took too long to recognize this for what it was, but now it is well recognized as the track of one of those rare beasts, a continental hot spot. Again, the track results not from the hot spot’s eastward movement, but from the movement of the North American plate westward, over the stationary hot spot. Yellowstone, just like Hawaii, is sitting right over the hot spot.
Hawaii’s Kilauea volcano is the most active volcano on Earth, erupting almost continuously but not too dangerously. Yellowstone erupts catastrophically, but only once every half million years or so. That difference is because of the totally different type of crust that the two sit upon. The crust under Yellowstone is made of granitic rocks, and is quite thick (30 miles or so). Under Hawaii, the crust is basaltic and very thin (5 or 6 miles).
Yellowstone has not erupted for more than 600,000 years, but the eruptions before this were separated roughly by that same 600,000 time interval. So does that mean it is due for one now? Yes and no. Yes one might assume that quite soon, in geological terms, Yellowstone will erupt again. But this is a volcano with very long intervals between eruptions, and it could easily be 5000, 10,000, or more years before it erupts again.
So…I would relax if I were you when you visit this park. Enjoy its living, breathing geology, its wildlife. Yellowstone is one of the world’s unique places, and unless you’re immune to wonder, you will most certainly spend much of your time here with wide eyes.
In a remote area of Yellowstone National Park in Wyoming, a large and very hot thermal pool (which occasionally erupts) resembles a scene from another planet.