Archive for November 2016

Friday Foto Talk: Why Video?   4 comments

Nearly every digital camera sold nowadays has video.  In fact, I can only think of one DSLR without video that I would shoot with.  It’s the excellent Canon 50D, a camera that I used to own (I even took it to Africa).  Camera makers are building video in for a reason.  I don’t have to tell you that videos are very popular on the web.  But even for those of us who buy a camera thinking only of still photography, to have the option of shooting high quality video through high quality glass (lenses) is very tempting.  So it’s usually not long after that shiny new digital camera arrives that we switch to video mode and start winging it.

I say winging it because, while there are important similarities, video is quite different than still photography.  Mistakes are inevitable and can easily make our videos look amateurish.  This series is designed not to make you an expert videographer.  I can’t claim to be, after all.  It’s meant to get you thinking about capturing motion and sound rather than still scenes.  It’s also to give you a baseline from which to start your journey into videography.  This is the first time I’ve posted videos on this blog, and so it’s a bit of an experiment.  I’m inserting them from my Vimeo page.  They’re unedited but not too lengthy.

So why shoot videos at all?  Other than the novelty of capturing motion through a variety of lenses, videos are good for…

  • Mixing things up.  Anything you can do that’s different will help to keep you from slipping into a shooting rut.
  • Adding value to a shoot.  Even if you are shooting a portrait, where the goal is clearly to get a great still shot of your subject, a video is the kind of bonus that’s guaranteed to make him or her very happy.  Only video can show the laughs, changes of expression, and all the interactions that happen on a typical shoot.
  • Showing context.  If you put in a lot of work and money to get someplace great to photograph, you’ll want to bring home something that, while perhaps not your best stuff, is nonetheless critical for documenting your visit.  A wide-angle, so-called establishing shot or two that shows the wider area is one thing.   A video that pans through the area can show even more.  Plus it includes sound!
  • Showing movement.  I know, duh!  While it’s often interesting to show movement in a still photo, only a video can show movement as it actually is.
  • Including the sound-scape.  For me this is one of the most valuable (and challenging) aspects of video.  Still pictures have a huge shortcoming: lack of sound.  A motion picture overcomes that.
  • Profit.  If you are thinking of going pro at some point, there is another major advantage to capturing video.  You’re getting practice for that (inevitable?) moment when you make the transition.  If you follow a number of pro photographers you may have noticed that many if not most of them eventually make the jump to video.  They are doing this not because they like it better than still photography.  Most of them would much prefer to stick with what they love.  No, they’re doing it for money.  For reasons I don’t completely understand, it’s much easier to make a good living being a videographer than a photographer.

Next time we’ll dive into the nuts and bolts of shooting video.  Have a fun weekend everyone, and press play!

Single-image Sunday: Surf Fishing   4 comments

I know it’s a bit lame, but I can’t help but apologize for my recently inconsistent Friday Foto Talk posts.  Blame it on that good old sense of guilt that everyone raised Catholic seems to suffer from.  Believe me I haven’t forgotten about it.  I’m also going to be collecting all of them into one or more e-books.  It surprises me to look back and see how many I’ve amassed over these past several years.  It’s a nice summary of my photography knowledge (which hopefully still has a long way to go)

In the meantime, enjoy this image from the other morning.  I’ve been rising in the pre-dawn every morning for work, but it mostly happens that the people I’m working with abhor starting before the sun is up.  The happy result is that I get to enjoy a peaceful sunrise somewhere.  On this morning I walked over the dunes just as the sun was breaking through and in time to see this fisherman casting into the breakers for snook.  In talking to him I detected an accent that made me think South African but with a small twist.  Turns out he was from east Africa.  Retired now, he walks up to the beach almost every morning for some surf fishing at sunrise.

Thanks for looking and have a great week.

Surf-fishing at sunrise, Atlantic Coast of Florida.  50 mm. Zeiss lens, 1/100 sec. @ f/13, ISO 200.

Surf-fishing at sunrise, Atlantic Coast of Florida. 50 mm. Zeiss lens, 1/100 sec. @ f/13, ISO 200.

Flow & Photography – A Summary   3 comments

Lizard tracks on an early morning jaunt across the dunes in Death Valley.

Lizard tracks on an early morning jaunt across the dunes in Death Valley.

It has been quite awhile since I’ve posted here.  I went off social media during the run-up to and then just after that weird thing that happened in the U.S. last Tuesday.  Been working a lot too.  By the way, although I literally felt sick to my stomach on Wednesday morning when I woke up (at 5 a.m.) and turned on the radio, I got past it and am now in the “this too shall pass” state of mind.  For those of you in other countries, just remember that most people here voted against the orange lizard, and that most of his supporters are not racist bigots, or anti-immigrant.

On the day after the election, I was kayaking and saw this bald eagle.  I took it as a sign that everything would be okay.

On the day after the election, I was kayaking and saw this bald eagle. I took it as a sign that everything would be okay.

I have another photography topic to dive into, but I’ll save that for next week.  Instead I want to wrap up the series on flow that was interrupted.  In fact, right now slipping into a state of flow is the best thing to do for those of us who cannot fathom the next 4 years.  If you haven’t been following along, check out the previous posts in the series.

The beginnings of winter, late fall in southern Utah.

The beginnings of winter, late fall in southern Utah.

An intimate scene in a cypress swamp: Florida.

An intimate scene in a cypress swamp: Florida.


Flow, or “being in the zone”, is a state of relaxed hyper-concentration where we do our best.  But unlike the way you will hear it often described, I don’t believe flow is limited to experts in their fields.  Flow is not when we do the best.  It’s just when we do our best.  The good thing about flow is that the more you get into it, the better you are at the thing you’re engaged in.

Flow is also not related to how active we are physically.  You could be in flow while writing, for example.  Your body is not active, but your mind sure is.  You can also be in flow while engaged in intense physical activity.  Climbing, whether on rock or snow and ice, is an example.  While in flow it’s common to lose track of time.  If you’re writing or doing something else that is physically more passive, you can concentrate for long periods and forget or forego mental exhaustion.  Similarly, in a physically intense activity, you seem to be able to ignore exhaustion when in flow.  Photography, depending on the kind you’re doing, may involve both the mental and the physical.  This is part of why I like it so much.

On the beach looking south at the very edges of an approaching hurricane, still more than a day away.

I think the key to being able to work through tiredness and to lose track of time’s passage is the fact that flow is conducive to relaxation.  Now hyper-focused action may not seem to go together with relaxation.  But when you’re in flow you’re relaxed in a unique way.  It’s not like lying in the sun on a beach with the soothing surf in your ears.  But it’s still a relaxed state.  It’s the kind of relaxation that comes when the mind and body work together the way they’re supposed to.


As far as photography goes, flow is simply a way of shooting pictures that is conducive to a relaxed focus, a way that leads to more creative image-making.  For me, it’s difficult to recommend specific tips that will help you experience flow while shooting.  But then again it’s hard for me to be very prescriptive about photography at all.  It’s such a subjective undertaking.  But I do know when I see photographers who are taking it all too seriously, who are too tight.  Flow, to my mind, is an under-appreciated and major factor behind good photography.

Hot spring in Nevada.

Hot spring in Nevada.

I recommend just two things to those who have recently gotten into photography and want to progress quickly.  First, get the most basic stuff down.  Get to know how your camera works so you aren’t fumbling around.  Practice taking pictures and don’t worry about their quality so much.  The goal is to make settings and exposure adjustments second nature to you.

Second, before starting to photograph, get into a relaxed frame of mind.  Whatever you do to relax, whether it’s breathing or stretching exercises, or positive self talk, do it before you shoot.  Don’t make so much of taking pictures that you tense up.  Realize you’re there to make the most of your subjects, surroundings and light.  Some or all of those variables, such as natural light, will be at least partly out of your control.  What is in your control are the choices you make when you shoot.  Just do your best and don’t stress about the rest.

Thanks for reading, have a wonderful weekend, and have fun shooting!

A recent sunset, Indian River, Florida.

A recent sunset, Indian River, Florida.

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